Journalism

Musical Journalism

Brian Chang has been involved with choral music as a singer, administrator, and conductor for over a decade. In 2015 he started writing for the Wholenote Magazine as its resident Choral Scene columnist; providing news and insight on choral music to a 30,000-print circulation. In 2016 he became a regular contributor with Ludwig Van Toronto, formerly Musical Toronto. Capable of writing blog-style quick reads, in-depth interviews, editorials, and features, Brian's work always seeks to illuminate the reader with new angles, authoritative voice, and a creative edge. 

*Ludwig van Toronto is a member of the National Newsmedia Council   

FEATURE | Why A Group Of Classical Musicians Decided It Was Time To Sing

June 05, 2017

Acquired Taste is a choral community of musicians built around the idea that music ought to be about the joy and not the judgement...

CHORAL SCENE | Of Many Voices: Choirs and Festivals

May 31, 2017

Alot of musical organizations go on break over the summer, but that doesn’t mean the end to opportunities for amazing music. Southern Ontario is lucky to have within a few hours’ drive several world-class music festivals, where there are lots of opportunities to see local and international artists at play...

CONCERT REPORT | High-level history lessons from the Toronto Bach Festival

May 30, 2017

Toronto has a thing for early music. Audiences in this city can’t seem to get enough of baroque-era music, including chamber, orchestra, choral and opera works. Into this community, there’s a new festival in town: the Toronto Bach Festival, running this year from May 26 to 28...

SCRUTINY | Oksana G. Opera An Emotionally Devastating Ride Into Darkness

May 27, 2017

Propelled by the strength of the score and cast, Tapestry Opera's Oksana G confirms the ugly truth behind human sex-trafficking...

CONCERT REPORT | Worlds Meet, with the COC Orchestra at 21C

May 25, 2017

Johannes Debus, music director of the Canadian Opera Company Orchestra, speaks about his orchestra with love at a May 24 post-concert chat. “This great orchestra deserves to be onstage,” he says. The orchestra is one of the finest in the country, but is almost always in the pit of the Four Seasons Centre, barely visible to audiences...

CONCERT REPORT | The NSO Roars to a Powerful Season Finish

May 24, 2017

Sometimes, there is nothing better I can say about a performance than thank you. For the inspired interpretation, the energetic musicianship, the blended mustering of forces, and a musical alignment that allows a performance to be exceptional – thank you to the NSO, soloists, and Chorus Niagara...

CONCERT REPORT | Tafelmusik’s Haydn and Mozart strike a balance

May 10, 2017

Audiences in Toronto expect that a Tafelmusik performance will be pleasing, well-executed, and committed to artistry. Their performances of Haydn’s Symphony No. 98 and Mozart’s Mass in C Minor, at Koerner Hall May 4 to 7, were no exception...

SCRUTINY | A Surprising Rendition With Pax Christi Chorale’s The Apostles

May 01, 2017

The story of Jesus has been told countless times by the grandest music centuries over. Yet, I’m always surprised because there is no limit to the musical interpretations, settings, and orchestrations that have and continue to tell this story...

CONCERT REPORT | Echo Women’s Choir, Making Noise

May 01, 2017

The Church of the Holy Trinity is a gem of the Anglican tradition in Toronto, steeped in history and activism. There are few barriers in the open space, and art and displays clearly stating “this is a place of social justice and a place of God” – open and welcoming at the same time...

CHORAL SCENE | Choral Music’s Wonderful Bounty

April 26, 2017

In a month when The WholeNote Canary Pages celebrates choral music and and features opportunities to participate in it, it’s fitting that there’s an incredible amount of amazing choral performance happening around the region...